That Drifting Poo Was Way Too Symbolic! These Are the Television Letdowns of the Year.

Looking back, we consider the television landscape of the recent year, a selection of shows stand out not for their brilliance, but for their spectacular failures. Ranging from cringe-inducing sequels to confusingly poor docuseries, here are the productions that had us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Plagued with dreadful writing, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to justify its existence. For a moment, as the final season started, it seemed as if it had finally found its groove. Then came an installment all about Seema’s natural deodorant. Little surprise the creator declared this would be the last series. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was just way too symbolic. Still, viewers undeniably had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this drama's issues. The subject of a very rare no-star review, it was hard to know where to start enumerating the problems. The laughably leaden writing? The mind-numbing veneration of wealth and materialism? The almost wilful parade of tropes? Acting so poor they felt almost malicious? Suffice it to say “each and every one” and forget about this show again. Except, a new season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse claims and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this three-part docuseries which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be saved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were plenty of other issues. Primarily that it was just really boring; a dispute over narcotics territory between various cockney picaresques which felt a bit basic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into quaint homemaking as intentional statements. But then you watch them and are forced to admit that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with ideas of grandeur; a parade of snoozing dogs, humming beehives, sentimental platitudes and forgettable crafting “tips” you’ll forget instantly. All supported by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with career, identity, self-acceptance. But for whatever reason, this three-part series opted not to say them. Rather, the experience was akin to reading a marketing catalogue. She obviously has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this cagey non-event of a series.

The Inheritance

It had the potential to be the next big hit – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a production that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of famous friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart inclusion of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series struggled painfully to find the right voice, lurching from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a discovery that could ruin society? Nope! This globe-trotting thriller about government agencies spying on – and killing off – academics frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for sexual escapades as she prepared for her biggest feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was horrific shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Joshua Griffith
Joshua Griffith

Elara Vance is a seasoned gaming analyst with over a decade of experience in online casinos, specializing in slot strategies and game reviews.